Ca ve ne pas tout

£3.50

Some can say an individual's moral character can be determined by whether they choose to return a shopping trolley to the correct trolley shelter spot after use or whether they simply leave it wherever it suits them.

You gain nothing by returning the trolley but you do it because it simply helps multiple parties out; those who work at where ever you have used it, people wanting it for their shopping visit experience and because it is simply the right thing to do. 

Ultimately you are helping people out selflessly. It’s a simple but effective method.

The same can apply when thinking of the homeless community; you gain nothing from helping them out, giving them food, offering to help with sheltering by guiding them to the proper places etc, but your moral compass points you in the direction of selflessly acting because it’s the correct thing to do. In turn you help out and your actions can have wonderful consequences. These people are thrown to the way side like broken furniture, left and forgotten like the humble shopping trolley. 

This is ‘Ca Ne Va Pas Du Tout.’

Through film photography with a dark and satirist twist that circles an element of nihilism,  I have taken the theme of selflessly and mortality, using the analogy of the Shopping Trolley theory and applied it to how a lot of society views those who aren’t as fortunate. 

There is a sense that they are seen as nothing more than abandoned people; no one’s property and no one’s responsibility, for even the charities that help them can’t maintain and locate ever single homeless individual. 

Homeless folks just are there, blending into the fabric of urban and suburban areas, being ignored by most like the little shopping trolley; once full of use and in fact still of use mostly, but lost and out of place, forgotten and seen as something on the landscape or worse, a problem. 

A third of whatever I have raised will be donated to ‘Off The Streets’ to help the issue of homelessness I am highlighting, even if I’m conducting this in an abstract, slightly off the wall way. 

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Some can say an individual's moral character can be determined by whether they choose to return a shopping trolley to the correct trolley shelter spot after use or whether they simply leave it wherever it suits them.

You gain nothing by returning the trolley but you do it because it simply helps multiple parties out; those who work at where ever you have used it, people wanting it for their shopping visit experience and because it is simply the right thing to do. 

Ultimately you are helping people out selflessly. It’s a simple but effective method.

The same can apply when thinking of the homeless community; you gain nothing from helping them out, giving them food, offering to help with sheltering by guiding them to the proper places etc, but your moral compass points you in the direction of selflessly acting because it’s the correct thing to do. In turn you help out and your actions can have wonderful consequences. These people are thrown to the way side like broken furniture, left and forgotten like the humble shopping trolley. 

This is ‘Ca Ne Va Pas Du Tout.’

Through film photography with a dark and satirist twist that circles an element of nihilism,  I have taken the theme of selflessly and mortality, using the analogy of the Shopping Trolley theory and applied it to how a lot of society views those who aren’t as fortunate. 

There is a sense that they are seen as nothing more than abandoned people; no one’s property and no one’s responsibility, for even the charities that help them can’t maintain and locate ever single homeless individual. 

Homeless folks just are there, blending into the fabric of urban and suburban areas, being ignored by most like the little shopping trolley; once full of use and in fact still of use mostly, but lost and out of place, forgotten and seen as something on the landscape or worse, a problem. 

A third of whatever I have raised will be donated to ‘Off The Streets’ to help the issue of homelessness I am highlighting, even if I’m conducting this in an abstract, slightly off the wall way. 

Some can say an individual's moral character can be determined by whether they choose to return a shopping trolley to the correct trolley shelter spot after use or whether they simply leave it wherever it suits them.

You gain nothing by returning the trolley but you do it because it simply helps multiple parties out; those who work at where ever you have used it, people wanting it for their shopping visit experience and because it is simply the right thing to do. 

Ultimately you are helping people out selflessly. It’s a simple but effective method.

The same can apply when thinking of the homeless community; you gain nothing from helping them out, giving them food, offering to help with sheltering by guiding them to the proper places etc, but your moral compass points you in the direction of selflessly acting because it’s the correct thing to do. In turn you help out and your actions can have wonderful consequences. These people are thrown to the way side like broken furniture, left and forgotten like the humble shopping trolley. 

This is ‘Ca Ne Va Pas Du Tout.’

Through film photography with a dark and satirist twist that circles an element of nihilism,  I have taken the theme of selflessly and mortality, using the analogy of the Shopping Trolley theory and applied it to how a lot of society views those who aren’t as fortunate. 

There is a sense that they are seen as nothing more than abandoned people; no one’s property and no one’s responsibility, for even the charities that help them can’t maintain and locate ever single homeless individual. 

Homeless folks just are there, blending into the fabric of urban and suburban areas, being ignored by most like the little shopping trolley; once full of use and in fact still of use mostly, but lost and out of place, forgotten and seen as something on the landscape or worse, a problem. 

A third of whatever I have raised will be donated to ‘Off The Streets’ to help the issue of homelessness I am highlighting, even if I’m conducting this in an abstract, slightly off the wall way.